Navigating History and Faith through Technological Innovation: Maltese Artist Matthew Attard’s Exploration in the Venice Biennale

In the 60th Venice Biennale, Maltese artist Matthew Attard delves into his country’s rich maritime heritage, faith, and progress through the use of AI-driven technology. Through his unique artwork, he showcases the intersection of history, art, and technology in a visually striking manner.

Attard’s work focuses on images of ships that were graffitied by seafarers on the stone facades of chapels in Malta between the 16th and 19th centuries. He retraced the incised lines of the ship graffiti using generative algorithms and an eye-tracking device to create a database of digital images. These images were then used to create artworks such as 3D scans and video pieces, highlighting the evolution of traditional art forms through innovative technology.

The reinterpretations of the etchings reflect a ghostly, skeletal impression that prompts viewers to question the role of technology in art and society. Attard’s exploration of these themes aims to draw parallels between blind faith in digital technology and traditional beliefs. His exhibition at the Malta Pavilion at the Venice Biennale, commissioned by Arts Council Malta, invites audiences to reflect on the fusion of art, history, and technology in a thought-provoking manner.

Maltese chapels have served as places of sanctuary throughout history. The maritime graffiti serves as a metaphor for hope and survival, resonating with cultures deeply connected to the sea. Attard’s work encourages us to think about how technology can be used creatively while also respecting traditional practices and beliefs.

Overall, Attard’s exhibition is an exploration of how innovation can be harnessed to bring together different aspects of our culture and history in new ways. It challenges us to consider how we can use technology while still staying true to our values and traditions.